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| Adobe Photoshop Lightroom 2: A Digital Photographer's Guide | 
enlarge | Authors: David Huss, David Plotkin Publisher: Focal Press Category: Book
List Price: $39.95 Buy New: $20.00 You Save: $19.95 (50%)
New (30) Used (5) from $20.00
Avg. Customer Rating: 2 reviews Sales Rank: 737787
Media: Paperback Number Of Items: 1 Pages: 384 Shipping Weight (lbs): 1.7 Dimensions (in): 9.3 x 7.4 x 0.8
ISBN: 0240521331 Dewey Decimal Number: 006.696 EAN: 9780240521336 ASIN: 0240521331
Publication Date: October 31, 2008 Availability: Usually ships in 1-2 business days Condition: New. No dust jacket as issued. Trade paperback (US). Glued binding. 384 p. Audience: General/trade.
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| Editorial Reviews:
Product Description Adobe Photoshop Lightroom has taken the photography world by storm! Let two industry experts, Dave Huss and David Plotkin, help you get up to speed fast with the all-new version 2. This complete reference for all users of Lightroom starts out with the basics, covering each available tool found in Lightroom with step-by-step clarity. The book then moves on to more in-depth discussions of the most often used tools and techniques, so you can customize a workflow that best suits your own needs. Start at the beginning to develop a complete set of Lightroom skills, or skip ahead to the sections that delve deeper into the tools you want to use immediately. Learn how to work smarter, faster, and more creatively to improve the overall quality of your work so you can spend less time in front of the computer and more time behind your camera!
*Maximize your productivity and learn from two experts exactly how to incorporate Adobe Photoshop Lightroom into your own workflow, whether you use Windows or a Mac *Fully up-to-date with the latest features of Lightroom 2 and packed with full color, step-by-step screenshots and photographs *Visit www.focalpress.com/Lightroom for additional Lightroom tutorials, software news and updates
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| Customer Reviews:
Midway Reference December 17, 2008 1 out of 1 found this review helpful
I suspect that as the Lightroom image processing software matures, users will be looking for different kinds of information to best use it. As a consequence, a book that may be perfect for new users may be too simple for experienced hands.
Huss and Plotkin provide us with an approach to Lightroom that may appeal to people already familiar with the software. The chapters of the book follow the format of most other authors, working the way through each of Lightroom's five modules. When discussing the Library function they further divide the tasks into getting photos into Lightroom and organizing the photos, as well as using the quick develop functions. They examine the tools for adjusting photos in the development module, with a separate chapter on using the local adjustment tools introduced in Lightroom 2. They finish up by covering the slideshow, web and print modules.
The book reads something like the printed manuals that used to come with software, although with a more personal touch. (That's not meant to be a bad thing.) I read the book, reviewing things I knew, but occasionally finding some new tool in Lightroom that I had not previously discovered. The book is not organized into tutorials. Occasionally the authors indicated that a photo could be downloaded so that one could follow along, but I could never figure out how to do this.
Unfortunately, occasionally important information was either not included, scanted or in error. The authors did indicate in their introduction that the book does not cover every possible tool because Lightroom is just too rich. But sometimes they don't tell us the easiest way to use Lightroom. For example, the authors point out that, when in the print module, one can call up a chart of keyboard shortcuts by pressing the control key (command key on a Mac) and the "/" key. They then suggest that the chart can be made to disappear by clicking on it with the mouse. That's true, but it can also be made to disappear by pressing the control/command key again, which is a lot easier for someone using the keyboard than moving one's hand away from the keyboard to the mouse.
If one expects to use the Lightroom tone curve panel effectively, one should know how and when to increase or decrease the size of the tonal ranges by adjusting the split point controls, but the authors merely say that, without even identifying where the split point controls are located.
When it comes to using color labels the authors tell you that there is no number to use to remove a color label from an image. Actually, all you have to do is hit the number of the applied color label a second time.
I realize that these are small nits to pick, but there are many of them throughout the book. Given that the book is written so as to appeal to individuals with a familiarity with Lightroom and that it is more likely to be used as a reference, these shortcomings seem significant. On the other hand, most of the information that is provided is clear enough that the book may be useful to an intermediate user to advance skills and use as a reference.
For a more detailed reference, I would look at Martin Evenings "The Adobe Photoshop Lightroom 2 Book: The Complete Guide for Photographers". For beginners, nothing beats Scott Kelby's "The Adobe Photoshop Lightroom 2 Book for Digital Photographers (Voices That Matter)" and for a book that concentrates a bit more on the artistic possibilities of Lightroom, see "Adobe Photoshop Lightroom 2 for Digital Photographers Only (For Only)" by Rob Sheppard.
Another Adobe Lightroom 2 book December 3, 2008 1 out of 1 found this review helpful
There's a series of dilemmas for users of sophisticated software -- how to learn to use it productively before it gets updated again and you have to start over. The problem is even greater for the authors of "how-to" books on software; with publishing lead times added to the continuous upgrade cycle it's nearly impossible for new books to be timely yet current with respect to what's actually in the programs.
The second dilemma is actually covering all the features within a program. Frankly, this has become very difficult as there are seldom enough pages allocated to fully list all the permutations, let alone describe and explain their use in depth. But that doesn't slow the flow of new titles, even though it puts more weight on the book buyer to try to determine what best suits his or her learning needs.
The third dilemma is the target audience. Does the author attempt to address just beginners, or intermediate to advanced users with some familiarity of past versions...or both? Unfortunately, using one style to address both audiences is usually a unsatisfying compromise.
This book actually does fairly well in the space allowed (365 pages). Consider that Lightroom 2 is intended to be a do-all image editing program, including individual modules labeled Library (where files are sorted and managed), Develop (where RAW files are processed and adjustments and enhancements made), Slideshow (to display your work in sets), Print (for making prints), and Web (for creating an array of galleries for upload). Adjustments to images are done non-destructively, unlike in Photoshop. Version 2 adds a number of significant new features, including targeted image adjustments, which broadens the program's appeal as the only one needed. (There are still many complex functions that require Photoshop, however, and the majority of serious photographers will likely continue to use both as needed.) While not completely comprehensive, the authors provide enough meat to cover a lot of territory, using a style useful for a fairly broad range of readers.
I did find several typos in the text, indicative, I suppose, of the rapid pace of publishing these days, and the ratio of illustrations to text is pretty high. While screen shots and example photos are crucial to "how-to" books, too many dilute the overall effectiveness.
If you're new to Lightroom or upgrading to version 2, this is a pretty good learning aid. Goodness knows there are plenty to choose from these days, and matching your information gathering preferences to the offerings is an ever more daunting task.
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